The Art of Nathan Oliviera

I do not estimate at modern cunning as a elongate experience, continually in competitor with itself, devouring itself a granular for popular society to play. I rather believe in an invention that layers time upon time, an art that simply reaffirms our presence and the shrewdness of our existence on this dry land In this respect I see my art as simply a flow link in a chain to those who have preceded me I simply want to be a part of a continuous resonance. - Nathan Oliveira\n\nThe smoky, obscured atmospheres in around of Oliveiras manoeuvre summarise to their comprehend of mystery. And, as always, the identities of the objects in the pieces are withheld. By presenting fragments of what energy be tribal artifacts and relics such as amulets, vessels, and tools, or abstractions of gentlemans gentleman figure within dispatch spaces, Oliveira seems to be asking his viewing audience to engage in an inventive excavation and reconstruction of his compositions. His work may convey anything amidst preciousness and fragility to expose brokenness, but we can hardly guess at what scarcely lies within these illustrations.\nI venerate the way in which Oliveira treats his field of operation matter, but peculiarly adore his ability as an artificer to stretch himself to create in various mediums and scales, as well. by his work Ive acquire to never confuse surface with importance. The intensity of expression in some of his relatively small works compete, if not trump, the revenue stamp of some of his larger paintings without sacrificing relief a true will to his fertile imagination and essential ability to impact finished composition versus size alone.\nThe paintings fall many layers of meaning as the series to each date evolve from his small predatorial wench paintings to his larger works that well-nigh resonate with the curvature of our real world. I think the actuate idea behind these portraits, especially those involving birds, imply a sense of freedom in Oliveiras case, artistic freedom and, ma...